Performances dates: September 21, 26, 29(mat), October 5, 10 & 13(mat)

ABOUT THE PRODUCTION

Directed by the Goya Award-winning Mario Gas, this stunning Madame Butterfly gets a cinematic twist as all the action takes place on a 1930s film set. Korean soprano Karah Son reprises her signature role as Puccini’s tragic heroine trying to find her way in a world dominated by men. Tenor Jonathan Tetelman is the callous Pinkerton, with Hyona Kim as Suzuki, Cio-Cio-San’s devoted maid who sees right past his gentlemanly facade, and Michael Sumuel as Sharpless, the sympathetic American consul. James Conlon, "the most accomplished music director currently working on the podium of an American opera house" (Opera News), opens the season conducting Puccini's poignant and unforgettable score. 

Performance Dates: November 13, 16, 19, 22, 24(m), 29 & December 1

ABOUT THE PRODUCTION

Her Passion is Freeing. His Obsession is Deadly. As free as a rebellious bird, it is hard to escape the magnetic allure of Carmen. Entranced by her passionate seguidilla, the soldier Don José descends into a dangerous spiral of desire.

Jealousy and obsession lead to fatal consequences in Francesca Zambello’s production in which matadors bump shoulders with factory workers in the heat of Seville.

Bizet’s evocative score features some of the most recognizable music in opera, brought to life by conductor Benjamin Manis.

Performance Dates: December 14 & 17

ABOUT THE PRODUCTION

In honeyed tones, Lord and Lady Macbeth reveal their passionate and bizarre emotions to us. But behind this beauty there lurks an abyss, which Verdi unveils with one of the cruelest dramas in the history of world literature. In their struggle to seize power and retain it once it has been usurped, Macbeth and his lady commit one murder after another. The unwavering nature of their desire imbues their love with a radicality that would have been unthinkable on the operatic stage before this work. “The subject matter of this opera is neither political nor religious: it is fantastic,” wrote Verdi and brought Shakespeare’s play closer to a more “romantic” reading. In actual fact, the witches, ghosts and apparitions, the eerie elements, which dominate the musical and dramatic flow, in short the whole world of this opera can be regarded as an outward image of its protagonists’ inner state.

Performance Dates: April 12, 15 & 20

ABOUT THE PRODUCTION

New production – Berliner Philharmoniker, Kirill Petrenko

G0iacomo Puccini's opera Madama Butterfly has been moving audiences since its premiere in 1904. The story of the geisha Cio-Cio-San and the American officer Benjamin F. Pinkerton includes everything that makes a successful opera: great emotions, drama, and sound paintings that showcase the orchestra in all its facets. Director Davide Livermore has already been honored three times to open the season of La Scala in Milan.

Jonathan Tetelman almost feels at home in Baden-Baden. He sang the title role in Werther and roused the audience to storms of applause at the season-opening gala in 2024. Butterfly Eleonora Buratto celebrates her Baden-Baden debut with one of her star roles.

Performance Dates: April 25 & 27

ABOUT THE PERFORMANCE

For her it is true love, for him just an affair. Giacomo Puccini transformed John Luther Long’s 1898 story of teenaged geisha Cio-Cio-San and cavalier American naval lieutenant Pinkerton into one of the most popular operas of all time – and a commentary on colonialism that remains ripe for re-examination. His music reflects both the orientalism of his time and the sentimentality of late verismo. After leading staged performances in Baden-Baden, Kirill Petrenko presents Madama Butterfly in concert to the Berlin public. The title role will be sung by Eleonora Buratto, who was celebrated for her performance of this part at the New York’s Metropolitan Opera. Star tenor Jonathan Tetelman takes the role of Pinkerton.