Performance Dates: April 12, 15 & 20

ABOUT THE PRODUCTION

New production – Berliner Philharmoniker, Kirill Petrenko

Giacomo Puccini's opera Madama Butterfly has been moving audiences since its premiere in 1904. The story of the geisha Cio-Cio-San and the American officer Benjamin F. Pinkerton includes everything that makes a successful opera: great emotions, drama, and sound paintings that showcase the orchestra in all its facets. Director Davide Livermore has already been honored three times to open the season of La Scala in Milan.

Jonathan Tetelman almost feels at home in Baden-Baden. He sang the title role in Werther and roused the audience to storms of applause at the season-opening gala in 2024. Butterfly Eleonora Buratto celebrates her Baden-Baden debut with one of her star roles.

Performance Dates: April 25 & 27

ABOUT THE PERFORMANCE

For her it is true love, for him just an affair. Giacomo Puccini transformed John Luther Long’s 1898 story of teenaged geisha Cio-Cio-San and cavalier American naval lieutenant Pinkerton into one of the most popular operas of all time – and a commentary on colonialism that remains ripe for re-examination. His music reflects both the orientalism of his time and the sentimentality of late verismo. After leading staged performances in Baden-Baden, Kirill Petrenko presents Madama Butterfly in concert to the Berlin public. The title role will be sung by Eleonora Buratto, who was celebrated for her performance of this part at the New York’s Metropolitan Opera. Star tenor Jonathan Tetelman takes the role of Pinkerton.

Performance Dates: May 8, 14, 17, 25 & 29

ABOUT THE PRODUCTION

Marco Arturo Marelli brings Verdi's epic opera classic to the stage in a visually stunning way. The struggle for freedom and independence under the rule of the absolutist King Philip II is emphasized as a central theme. The unshakeable power of the church, which is chiselled into the foundations of this society, is always present behind everything. Embodied in the Inquisition, it makes short work of anything that could pose a threat to it by attempting to shake up the existing conditions.

Performance Dates: July 9 & 12

ABOUT THE PRODUCTION

“The artist is a man, and he must write for men. … and you will see true hatred and its bitter fruit.” In the Pagliacci prologue, Tonio tells us what this opera is about – it seeks to put the reality of life on the stage. This applies for both works, which will now enjoy their first new staging at the Bayerische Staatsoper in 46 years (1978). Together Cavalleria rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo simply exemplify verismo. The basic situation: A woman is unfaithful. Another reveals this to the husband, and he, spurred on by this woman, takes bloody revenge on the lover. Cavalleria rusticana is about Turiddu, who returns to find his old flame Lola again, but she is now married to the carter, Alfio. Turiddu then consoles himself by seducing Santuzza. But the old love is reignited, and Lola betrays her husband, and Turiddu his girlfriend. In Pagliacci, the plot revolves around Nedda and her husband Canio, the leader of a group of comedians. Nedda’s love for him has grown cold, so she turns to the farmer, Silvio. 

The direction team at Francesco Micheli’s side have found a common thread for the two operas, written independently of each other, but often performed together: “We want to construct one single story, the story of a man who in Cavalleria rusticana has lost his roots and in Pagliacci tries to re-establish his original ties in a new society, however fails miserably in doing so.”

Performance Dates: July 23 & 25

ABOUT THE CONCERT

One of the astonishing facts of music history is that almost all of the great operas based on Goethe were written in France. Alongside Gounod's and Berlioz's Faust settings and Ambroise Thomas's MIGNON, Jules Massenet's WERTHER is the most prominent example in this series. Premiered in Vienna in 1892, the work is also one of Massenet's most successful operas and, in its expressive immediacy, a pinnacle of the "drame lyric".

Concert performances of WERTHER at the Deutsche Oper Berlin have often offered the opportunity to experience the great tenors of their time in the role of the suicidal poet. After Alfredo Kraus in 1998 and Vittorio Grigolo in 2014, this time it is the turn of the American Jonathan Tetelman, who has already introduced himself to Berlin audiences as Luigi in Puccini's IL TRITTICO and as Paolo il bello in Zandonai's FRANCESCA DA RIMINI. At his side, Aigul Akhmetshina, one of the most exciting female singer discoveries of recent years, sings the role of Charlotte.